Clementi Sonatina Op. 36, No. 1, Andante, . experiences that helped to shape his career as a pianist, . this file grew to more than cards and served as a. points of interest it has, and how it can be approached in performance. before , to the last sonatas of Beethoven and Clementi, completed shortly after sonata, organized in terms of its meanings, uses, spread, settings, and forms. than part 1, explores more than composers and their sonatas according to. Deliver completed membership forms and entry forms with fees attached to: Bo-Peep Solo – Other language. $ $ Solo. $ $ .. Clementi - Sonata #6 Op (2nd part by H. Timm).


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Allegro, page 56, by Jiri Antonin Benda. Andantino, by Dmitri Kabalevsky.


Allegro Burlesco from Sonatina in A minor, Op. Anthology of Music, Vol. Sonata in A Major, K. Sonata in Eb Major, Op. Allegretto, page 16, by Johann Christian Bach. From The Classical Period. Allegro vivace, pageby Bela Bartok. Clementi's late clementi sonatina n-400 form piano sonatas, Op.

Clementi gave detailed performing directions as to pedaling and certain metronome markings in the Didone abbandonata.

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Specific performance practice issues posed by this sonata will be examined in depth using variants between the manuscript the facsimile edition and other editions. In addition, available recordings of this sonata will clementi sonatina n-400 form compared to see how performers take these performance practice principles into account in their performances.


The first chapter of the dissertation discusses Clementi's historical reputation and the pianoforte of his day. Bruckner completed his last symphony inand Sibelius wrote his first in In terms of genre, I include clementi sonatina n-400 form works titled "Symphony" or an equivalent term in another language.


I omit, however, works from other similar genres such as concertos, serenades, sinfonias concertante, symphonic poems or paintings, symphonic fantasies, toy symphonies, concert overtures, symphonic suites, and symphonic clementi sonatina n-400 form excerpted from operas, ballets, and other dramatic works.

To my knowledge, no scholar has ever attempted a complete list of all symphonies composed in the Romantic era, and such a task is indeed well beyond the scope of my project.

One study that approaches the topic is Frank Kirby's list of symphonies, which only covers works published in German-speaking lands. Focusing on just —, Rebecca Grotjahn lists new symphonic concert works by different composers.

In addition to symphonies, her list includes other orchestral genres. In these lists, both Kirby and Grotjahn include works for which no scores survive. Julian Horton's clementi sonatina n-400 form of inter-movement key relationships in nineteenth-century symphonies is also quite large, comprising symphonies by 34 composers.

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For clementi sonatina n-400 form from beforeThe Symphony —, a collection of scores printed by Garland Publishing Brookprovides extensive works lists and thematic indexes.

Keyword searches of the Hofmeister Monatsberichte, a series that appeared from to cataloging newly published music Hofmeisteryielded titles of many symphonies that do not often receive critical comment. The Symphonic Repertoire, a series of books begun by A. Peter Brown —includes lists of symphonies composed in various regions in Europe.

Christopher Fifield's survey of German symphonies in the middle clementi sonatina n-400 form the nineteenth century offers analysis of several lesser-known works.

It is, however, impossible to say exactly how many symphonies were composed during the nineteenth century. In his introduction to the reference volume clementi sonatina n-400 form The Symphony —, Barry S.

This number seems rather large at first glance, but he uses a broader generic categorization than my survey, including other orchestral genres. Moreover, composers wrote fewer symphonies, but of greater length, in the Romantic era than in the Classical compare Haydn's numbered symphonies to Beethoven's 9.

In perusing resources such as The Symphony —, the Hofmeister Clementi sonatina n-400 form, Kirby's work, Grotjahn's list, and The Symphonic Repertoire, I have noticed references to more than symphonists active during the nineteenth century, composing over symphonies.

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